Introversion and Extroversion

AboutPicturePicture,owntoall,effectivepictureisnotonlyimage,,thisisagoodmeasureforevaluatingagood,hiclanguagelikeword,itisnotapictureasweexpected,butabroadstrokeofcolour,awordorsomethingelsethatforms　hiclanguageisoneofthemostimportantlanguagesofcommunicationinposters,books,packages,tterhowdevelopedthemediatechnologyinthefuture,iversityofaestheticsbetweenChineseandWesternManydifferentcharacteristicsexistedin　ously,meaninglesstolookonthephenomenonofartregardless　rstly,weshouldunderstandthebasiccharacteristics　eseOnChineseaesthetics,themostnotablecharacteristicisemphasizingasenseofunderlyingharmony,smisoneofthemainreligionsinChina,eseaestheticswasinfluenceddeeplyby　sTaoisttheorythatthingsbroughtintocontactwitheachother,orarrangedtogether,influencedeachother.(PhilipRawson,LoaszloLegeza,1973)ItssymbolYin-Yang,composedbymutualblackandwhite.
Itmeansthephysicalworldiswholeofinseparabledifferences,eexistsnoYangwithoutYininit,norYinwithoutYang.(PhilipRawson,LoaszloLegeza,1973)Theobjectsrepresentedinapaintingwillhave　theirproportionsofYangandYincarefully　combinedandharmonized.(PhilipRawson,　LoaszloLegeza,1973)Forexample,mountain　andwater,heavenandearth,lightanddark,ndscape,wecanfindthesefactorscomposedaspectacularandeternal　rasmodernposterisconcerned,communicationisits