摘 要
安徒生是1個天才極的童話大師，被稱爲兒童文學界“永久的老孩子”。同情、歡樂、成長，是安徒生童話永恆的主題。他在童話這種特殊的文學樣式中找到了表現自我的契機。童話故事是敘事性作品，但又是極富想象和幻想的浪漫主義作品。敘事和抒情的矛盾、幻想和現實的矛盾，使童話不得不借助於象徵的表現方式。象徵是童話創作把幻想與現實融合起來的'1種重要方式，也是童話創造典型的獨特手法。只是，在安徒生的童話裏，當他用來象徵自我時，卻有了1些屬於安徒生自己的特點。由此，構成了安徒生童話的1個重要特徵——自我象徵，是這些陪伴着安徒生長大的，這也是對安徒生童話象徵世界的1個有力概括。安徒生童話已成爲世界各國孩子們童年記憶的1部分。凡是讀過安徒生人都會這樣認爲——閱讀安徒生童話就像在接受心靈的洗禮1樣。安徒生告訴我們:童話是永遠不會死的。安徒生是翱翔在世界文學藍天裏真正的“白天鵝”。
關鍵詞：安徒生；童話；象徵性
ABSTRACT
Anderson is a talented writer in fairy tale, is called “never getting older” in the child literary. Sympathy, happiness, growth is the eternal subject in his fairy tale. He found how to display the self-turning point by using the special literature style in the fairy tale fairy tale is the creation to narrate, but also rich in imagination and the fantasy romanticism work ates contradiction, fantasy and reality contradiction has to express in the symbolic way. The symbol is the fairy tale creation one important way which fuses the fantasy and the reality, also is the fairy tale creation model unique technique. Only is, in Andersons fairy tale, when he uses for symbolizes self-, actually has some to belong to the Anderson characteristic. From this, it constituted an important characteristic in Anderson fairy tale-self-symbol, which accompanies Anderson to grow up, is also is a powerful summary in Anderson fairy tale. The Anderson fairy tale becomes a part of children childhood memory. Everyone who reads the fairy tale world think so-reading the Anderson fairy tale is like accepting the purification of our mind. Anderson tells us: The fairy tale will never die. Anderson is “really the swan” hovering in the world literature.
Key words: Anderson; Fairy tale; Symbolic